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PAST CLAZZICAL NOTES EVENTS:

NOVEMBER 12, 2007
Les Femmes: Women of Jazz and Classical Music

October 29, 2007
Vibrations: The Best of Western and Afro Cuban Percussion

JUNE 11, 2007
Trios

MARCH 12, 2007
The Session Player

FEBRUARY 5, 2007
The Art of Fine Vocals

JUNE 5, 2006
Three Flights Up

NOVEMBER 6, 2006
Rhythm and Invention,
 All Percussion 

NOVEMBER 14, 2005
Handful of Keys

OCTOBER 10, 2005
What Becomes a
 Legendary Performance

JUNE 13, 2005
Three Flights Up

APRIL 4, 2005
Clazzical Goes Latin

JANUARY 24, 2005
The Sidemen

NOVEMBER 8, 2004
The World on a String

MAY 3, 2004

FEBRUARY 9, 2004

 

 

 

The Session Player
MONDAY, MARCH 12, 2007 
7:00 PM – 8:30 PM

Roger Lebow PASADENA SYMPHONY CELLIST
Justo Almario JAZZ CLARINETIST
Lindsey Nelson  MODERATOR

at McKinley School Auditorium
325 South Oak Knoll Ave.
Pasadena, California 91101

ARTIST BIOS

Roger Lebow CELLIST
A member of the Pasadena Symphony for 20 years!

Cellist Roger Lebow has been a member of the Pasadena Symphony for [gasp!] 20 years. Besides his unchallenged status as the largest, and often hairiest, cellist in the band, he is a familiar figure throughout Los Angeles’s musical landscape. He was for a decade Principal Cellist of the late LA Mozart Orchestra, though these days you’ll most often run into him in recital, with his chamber group Xtet (now in its 20th season), with LA Opera and other local groups, or browsing through Vroman’s Book Store, where he is a threat to buy something in almost any section, as long as it doesn’t have an embossed cover. RL was also the 4th cellist from the right, in the back near the cimbasso and string basses, on the soundtrack of your favorite movie.

Lebow is also on the faculty at Pomona College, Chapman University, and the Claremont Graduate University, and for many summers taught at the Henry Mancini Institute at UCLA. Formerly at Occidental College, he has also been on the guest faculty of CalArts, UC Irvine, and UC Bjoerling; and in his dotage regards teaching and other musical intervention as an increasingly central and fulfilling part of his life.

RL has appeared as soloist in such arcana as Heitor Villa-Lobos’s Fantasia and the Cello Concerto by Arthur Honegger (as well as standard repertoire by The Usual Dead White Suspects). He gave the première, with the LA Mozart Orchestra, of a new concerto by Byron Adams, which he commissioned. A new-music advocate of too many years’ standing, he’s also commissioned solos by Leo Smit, Donald Davis, John Steinmetz, Leon Milo, Jean-Pierre Tibi, and David Ocker, and participated in dozens of chamber music premières. He has recorded with Xtet on the Delos and New World labels, and has made several audiophile recordings for the Water Lily Acoustics label. As is curiously so often the case with avant-gardistes, RL is also an ardent player, on baroque cello and viola da gamba, of early music.

In years past RL was the founding cellist of the Armadillo String Quartet and the Clarion Trio, and he spent several waterlogged years swaddled in Gore-Tex® in Seattle with the Philadelphia String Quartet. He has appeared as soloist and chamber player at the Oregon Bach Festival and Cabrillo Music Festival. Other memorable and printable encounters include string quartet performances on a rafting trip through the Grand Canyon, his college rock group opening for the Jefferson Airplane in 1967, and participating in an original-pharmacology performance of Terry Riley’s In C led by the composer.

Lebow has been a renegade classical music announcer on NPR stations in Santa Monica and Seattle, and still entertains radio dreams. The author of one good poem (and a number of sphincter-clenchingly bad ones), he toils over a hot Macintosh writing program notes and album liner notes (or whatever the hell they’re called these days).

Lebow has done hundreds of films, including Titanic, Seabiscuit, The Matrix, some of the Jurassic Park films, A Beautiful Mind and Spiderman. I've also played for many recording artists, including Prince (the artist formerly known as the Artist Formerly Known As Prince but now known as Prince again), Kim Carnes, Electric Light Orchestra, Harry Connick Jr., Neil Diamond, Chris Isaak and Alanis Morrisette.

He dwells in a small cottage in Sierra Madre with librarian Wendy Schorr (who clandestinely brings home books with embossed covers for him). Their son Theo is a tenor studying voice at Mannes College of Music in New York City.
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Justo Almario JAZZ CLARINETIST
“One of the top 10 Latin Jazz Saxophonists of our time” 

—Beat Magazine

A native of Colombia, reedman, clinician, composer and arranger, Justo Almario has fused Latin, Afro-Cuban, South American, Funk and Jazz genres into his own humble offering. Mr. Almario studied at the prestigious Berklee School of Music before a stint with Mongo Santamaria as the band's musical director.

Justo has also performed with Patrice Rushen's Grammy Awards Orchestra, Freddie Hubbard, Roy Ayers, George Duke, Tito Puente, Machito, Dave Grusin, Ndugu Chancler, Alex Acuna, Abraham Laboriel, TOLU, Donald Vega, Harold Land Jr. Al Mckibbon, Master P, Bebe Winans, Queen Latifah, Charles Mingus, Chaka Kahn, Linda Rondstadt, Herb Alpert, Bobby Shew, John Heard, Lorca Hart, Billy Higgins and "Jose Rizo's Jazz on the Latin Side All-Stars". Always in demand, Justo's complete list of credits is simply too extensive to mention.

John Coltrane, Cannonball Adderly, Antonio Carlos Jobim, Bach, Bartok and Debussy are among Justo's primary influences. After evolving from child protégé to virtuoso, Almario taught at the Henry Mancini Institute and has mentored inner city youth during workshops at the World Stage.

A multi-instrumentalist of the highest caliber, Mr. Almario has mastered the soprano and tenor saxophones, clarinet and flute. Justo thoroughly engages his listeners with rhythmic, call and response interludes. Although he is extremely appreciative, this modest wind wizard frequently deflects any accolades, opting instead, to thank folks for merely showing up and sharing. This is paramount to a keenly sensitive artist who warmly connects with his audience on so many levels.

In 1992, while joining the ranks of Cedar Walkton, Terrence Blanchard and Joe Lovano, Almario was an integral part of the Newport Jazz Festival Tour, produced by George Wein. Two years later, four of the recordings that Justo was featured on, earned Grammy nominations while Andrae Crouch's "Mercy", and Cachao's "Master Sessions, Vol. 1", were actual Grammy winners.

Mr. Almario was featured on " Let's Get Loud", a Jennifer Lopez DVD. He also appeared on "Ahora Si', a CD by Israel "Cachao" Lopez that garnered two Grammys. No stranger to Hollywood, Justo was heard on the soundtrack of the Oscar-winning film, "Sideways". In addition, Mr. Almario will be featured on the upcoming Andy Garcia movie, "The Lost City" and on the soon-to-be-released "Romance and Cigarettes", produced by John Turturo and starring Susan Sarandon and James Gandolfini.

Justo's ongoing involvement with Jose Rizo has proven to be very rewarding. This sizzling band recorded, "Jazz on the Latin Side All-Stars, Volumes 1 and 2" and "The Last Bullfighter". He has also played on and produced TOLU's Grammy-nominated CD, "El Bongo de Van Gogh". Justo's latest CD, "Love Thy Neighbor", features his quartet playing original compositions as well as rare standards.

A man for all seasons, Justo was the featured soloist with the Los Angeles Master Chorale at the Walt Disney Hall's, season opener. He also performed at a Christmas concert, "Celebrar", at the same venue.

Justo cut his teeth, living in New York, before traveling widely throughout Europe, Asia, Latin America and the Caribbean. Throughout Japan, Almario was a big band guest soloist in such cities as Tokyo, Osaka, Nagoya and Fukuoka.

Finally, Justo's stellar career was recently celebrated during a segment of "World Stage Stories", a comprehensive oral history series that chronicles the evolution of jazz.

What's next for this pied piper with boundless horizons? No one is really sure but one thing is clear - Mr. Almario's music will continue to heal and inspire. A devoted family man, Justo's spiritual path nurtures both his creative journey and his warm compassion as a human being.

Discography
Four of the recordings Justo performed on in 1994 were nominated for Grammy's:
Andrae Crouch's Mercy (Grammy winner)
Cachao's Master Sessions Vol. 1 (Grammy winner)
Helen Baylor's The Live Experience
and Placido Domingo's A Mi Alma Latina

Justo solo albums include:
Interlude, Forever Friends
Plumbline
Family Time, Heritage
Count Me In
Justo Amario & Abraham Laboriel
Love Thy Neighbor

His most recent productions include:
Love Thy Neighbor - Produced and arranged by Justo Almario
Rumbero's Poetry , co-produced with Alex Acuna Soul Song, a duet project with Brazilian pianist Marchos Ariel.
 
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